INTERVIEWS
Good Morning Kentucky Interview (For RUN FOR YOUR WIFE) With Chris Kateff
Jared Mobarak of Jared Mobarak.com on SIMPLE MIND, CHOOSING SIDES AND MORE
http://www.jaredmobarak.com/2013/11/20/interview-timothy-j-cox/
Michael E. Smith of ROGUE CINEMA on SWAN SONG
http://www.roguecinema.com/article3759.html
Robert Carey Wilson of MOVIE VINE
http://www.movievine.com/interviews/interview-with-timothy-j-cox/
Michael Dietz of CINEMUSINGS
http://www.cinema-crazed.com/Cinemusings/timothy-cox-interview.htm
Peter Sanderson of CinemaRoll on SOCKS AND CAKES
http://cinemaroll.com/cinemarolling/timothy-j-cox-its-been-a-very-good-year/
Elizabeth Sellars of Rogue Cinema on THE WATCHERS
http://www.roguecinema.com/article2383.html
Hannah Marie Ellison of BlogCritics on RUN FOR YOUR WIFE
http://blogcritics.org/culture/article/interview-timothy-j-cox-at-the/
Joseph Arthur Clay of BlogCritics on JACK JIMMINY: THE STORY OF A PORNSTAR EXTRA
http://blogcritics.org/video/article/actor-timothy-j-cox-on-jack/
NYTheatre.com on AS YOU LIKE IT
http://www.nytheatre.com/nytheatre/voices.php?t=cox
Hannah Marie Ellison of BlogCritics on 12TH NIGHT OF THE LIVING DEAD
http://blogcritics.org/culture/article/interview-with-12th-night-of-the/
http://www.jaredmobarak.com/2013/11/20/interview-timothy-j-cox/
Michael E. Smith of ROGUE CINEMA on SWAN SONG
http://www.roguecinema.com/article3759.html
Robert Carey Wilson of MOVIE VINE
http://www.movievine.com/interviews/interview-with-timothy-j-cox/
Michael Dietz of CINEMUSINGS
http://www.cinema-crazed.com/Cinemusings/timothy-cox-interview.htm
Peter Sanderson of CinemaRoll on SOCKS AND CAKES
http://cinemaroll.com/cinemarolling/timothy-j-cox-its-been-a-very-good-year/
Elizabeth Sellars of Rogue Cinema on THE WATCHERS
http://www.roguecinema.com/article2383.html
Hannah Marie Ellison of BlogCritics on RUN FOR YOUR WIFE
http://blogcritics.org/culture/article/interview-timothy-j-cox-at-the/
Joseph Arthur Clay of BlogCritics on JACK JIMMINY: THE STORY OF A PORNSTAR EXTRA
http://blogcritics.org/video/article/actor-timothy-j-cox-on-jack/
NYTheatre.com on AS YOU LIKE IT
http://www.nytheatre.com/nytheatre/voices.php?t=cox
Hannah Marie Ellison of BlogCritics on 12TH NIGHT OF THE LIVING DEAD
http://blogcritics.org/culture/article/interview-with-12th-night-of-the/
FILM REVIEWS
CHOOSING SIDES (2013)
Lee Loechler's 5 minute comedy short CHOOSING SIDES is one the funniest shorts I've seen in a long while, thanks largely to Yael Green's hilarious script and the outstanding leading performances of Timothy J. Cox and Rachel Lynn Jackson as a set of parents who hurl religious related insults to one another in the hopes of enticing their 12 year old son Mikey (Max Abe Plush) to choose their religion. The results are hysterical and the entire team behind the film are to be commended for some truly great work. (Michael James Lowry, YourMovieReviews.com)
The film is clearly just having fun with it all and the performances are solid across the board. (Richard Propes, The Independent Critic)
Timothy J. Cox and Rachel Lynn Jackson give fantastic performances as two parents of mixed faith that realize their son Max is about to reach puberty. The dialogue exchange between the pair of actors is really funny, and delivered at a rapid fire pace to where you can barely keep up. (Felix Vasquez, Jr., Cinema Crazed)
The script is sharp and funny and the three actors all give strong performances but especially Cox and Jackson as the desperate parents who use brilliantly clichéd religious examples to put down Judaism and Catholicism. (Parissa Janaraghi, Movie Quotes and More)
Both (Rachel Lynn) Jackson and (Timothy J.) Cox are superb in their roles as Mikey's parents. What begins as polite dinner-time conversation quickly snowballs into all-out religious warfare, with Jackson and Cox portraying increasing desperation. (Cary Conley, Rogue Cinema)
Lee Loechler's 5 minute comedy short CHOOSING SIDES is one the funniest shorts I've seen in a long while, thanks largely to Yael Green's hilarious script and the outstanding leading performances of Timothy J. Cox and Rachel Lynn Jackson as a set of parents who hurl religious related insults to one another in the hopes of enticing their 12 year old son Mikey (Max Abe Plush) to choose their religion. The results are hysterical and the entire team behind the film are to be commended for some truly great work. (Michael James Lowry, YourMovieReviews.com)
The film is clearly just having fun with it all and the performances are solid across the board. (Richard Propes, The Independent Critic)
Timothy J. Cox and Rachel Lynn Jackson give fantastic performances as two parents of mixed faith that realize their son Max is about to reach puberty. The dialogue exchange between the pair of actors is really funny, and delivered at a rapid fire pace to where you can barely keep up. (Felix Vasquez, Jr., Cinema Crazed)
The script is sharp and funny and the three actors all give strong performances but especially Cox and Jackson as the desperate parents who use brilliantly clichéd religious examples to put down Judaism and Catholicism. (Parissa Janaraghi, Movie Quotes and More)
Both (Rachel Lynn) Jackson and (Timothy J.) Cox are superb in their roles as Mikey's parents. What begins as polite dinner-time conversation quickly snowballs into all-out religious warfare, with Jackson and Cox portraying increasing desperation. (Cary Conley, Rogue Cinema)
MALLAS, MA (2013)
The perfectly matched Timothy J. Cox and Maria Natapov. (Michael James Lowry, YourMovieReviews.com)
Timothy Cox and Maria Natapov have a terrific chemistry as the bumbling con-artists in question with Cox, a familiar face for The Independent Critic, clearly relishing the opportunity to play a spirited and energetic character. (Richard Propes, The Independent Critic)
The film creates an interesting mood, combining perfectly the camera work, sharp photography by Rick Macomber, and penetrating original score handled by Cesar Suarez. Another positive aspect was the performances by Timothy J.Cox and Maria Natapov. (Always Watch Good Movies)
The two leads (Timothy J. Cox, Maria Natapov) are quite strong and do a fine job as they bumble around attempting to set the town of Mallas up for a hard fall. (Cary Conley, Rogue Cinema)
The perfectly matched Timothy J. Cox and Maria Natapov. (Michael James Lowry, YourMovieReviews.com)
Timothy Cox and Maria Natapov have a terrific chemistry as the bumbling con-artists in question with Cox, a familiar face for The Independent Critic, clearly relishing the opportunity to play a spirited and energetic character. (Richard Propes, The Independent Critic)
The film creates an interesting mood, combining perfectly the camera work, sharp photography by Rick Macomber, and penetrating original score handled by Cesar Suarez. Another positive aspect was the performances by Timothy J.Cox and Maria Natapov. (Always Watch Good Movies)
The two leads (Timothy J. Cox, Maria Natapov) are quite strong and do a fine job as they bumble around attempting to set the town of Mallas up for a hard fall. (Cary Conley, Rogue Cinema)
DARK ROMANCE (2013)
All three actors give strong performances with Cox leading the way as the gentle natured office worker who has become the obsession of his twisted secretary. (Parissa Janaraghi, Movie Quotes and More)
The actors are all solid as well, with veteran Timothy J. Cox leading the way as the older man with an unwanted admirer. (Cary Conley, Rogue Cinema)
All three actors give strong performances with Cox leading the way as the gentle natured office worker who has become the obsession of his twisted secretary. (Parissa Janaraghi, Movie Quotes and More)
The actors are all solid as well, with veteran Timothy J. Cox leading the way as the older man with an unwanted admirer. (Cary Conley, Rogue Cinema)
WE JUST WANT TO PLAY (2013)
The cast is a spirited bunch, led by Timothy J. Cox, clearly relishing his role as the evil athletic director, aptly named Dickerman. (Michael James Lowry, YourMovieReviews.com)
Timothy J Cox graces the film as Athletics Director Dickerman and he is quite possibly the best thing about the film apart from the obvious enthusiasm of the cast and crew. (Michael Smith, Rogue Cinema)
The cast is a spirited bunch, led by Timothy J. Cox, clearly relishing his role as the evil athletic director, aptly named Dickerman. (Michael James Lowry, YourMovieReviews.com)
Timothy J Cox graces the film as Athletics Director Dickerman and he is quite possibly the best thing about the film apart from the obvious enthusiasm of the cast and crew. (Michael Smith, Rogue Cinema)
TROUBLE (2013)
Timothy Cox is solid as the stern headmaster. (Richard Propes, The Independent Critic)
But Witkin also lightens the tone of the film with some gentle comedic scenes as well, most notably with Timothy Cox as the headmaster of St. Sebastian's. (Cary Conley, Rogue Cinema)
Timothy Cox is solid as the stern headmaster. (Richard Propes, The Independent Critic)
But Witkin also lightens the tone of the film with some gentle comedic scenes as well, most notably with Timothy Cox as the headmaster of St. Sebastian's. (Cary Conley, Rogue Cinema)
GREG'S GUARDIAN ANGEL (2012)
In a huge switch from his serial killer role in Simple Mind,
Timothy J. Cox made the most of his fun appearance as Greg’s boss, Mr.
Schmaven. (Roberta Wilson, The Entertatinment Scribe)
The cast is a strong, fun and spirited bunch...Timothy J. Cox scores big in his brief scenes as Greg’s boss. (Michael Dietz, Dead4Movie.com)
Timothy J. Cox and Caitlin Winter do well in supporting roles. (Richard Propes, The Independent Critic)
Speaking of scoring points, an unrecognizable Timothy J. Cox, with shaved head and dark hair, did just that in his funny turn as the always grinning Elliott Schmaven. (Kent Stockton, Movie Vine)
From the supporting cast Jack Moran and Timothy J. Cox shine bright as Greg's grinning and gregarious bosses. (Jude Cole, Movies Quotes and More.com)
Great support from Timothy J. Cox (Pamela Larkin, Your Movie Reviews.com)
There’s also a hilarious appearance from an almost unrecognizable Timothy J. Cox as Greg’s Boss, Mr. Schmaven, proving that the man can do just about anything. (Peter Sanderson, Purple Slinky.com)
The cast is a strong, fun and spirited bunch...Timothy J. Cox scores big in his brief scenes as Greg’s boss. (Michael Dietz, Dead4Movie.com)
Timothy J. Cox and Caitlin Winter do well in supporting roles. (Richard Propes, The Independent Critic)
Speaking of scoring points, an unrecognizable Timothy J. Cox, with shaved head and dark hair, did just that in his funny turn as the always grinning Elliott Schmaven. (Kent Stockton, Movie Vine)
From the supporting cast Jack Moran and Timothy J. Cox shine bright as Greg's grinning and gregarious bosses. (Jude Cole, Movies Quotes and More.com)
Great support from Timothy J. Cox (Pamela Larkin, Your Movie Reviews.com)
There’s also a hilarious appearance from an almost unrecognizable Timothy J. Cox as Greg’s Boss, Mr. Schmaven, proving that the man can do just about anything. (Peter Sanderson, Purple Slinky.com)
SIMPLE MIND (2012)
Timothy J. Cox is PERFECT as the psycho killer here – I don’t think I’ve seen crazy eyes that good since Jonathan Rhys Meyers. I love everything Cox has down here with his character. I went from intrigued to repulsed to piteous all in the span of about seven minutes...kudos for not once letting my attention waver and for keeping me in breathless anticipation of what was going to happen next. (CinemaSchminema)
Cox did a fantastic job with his role as the sadistic Bob who I'm still not sure knows quite where he's at in life. (Twisted Central)
Actor Timothy J. Cox should particularly be commended, as he manages to create a wonderfully demented character in a third of the screen time as the credit reel for Marvel’s the Avengers. Mr. Cox depicts the various sides to his character flawlessly, evoking deviousness and cruelty which gives way to pity and profound sadness. There were moments in the film where his character reminded me of Robin William’s desperate store clerk in One Hour Photo, where you could detect traces of humanity, twisted by the madness of being alone. (Oberst Von Berauscht, MovieBoozers.com)
Simple Mind soars because of the dynamic performance of Timothy J. Cox, as Bob. It’s the subtlely where Cox nails the character, as Bob looks harmless at first glance, even sweet natured, but make no mistake, this guy is all evil. (Michael Dietz, Dead4Movie.com)
It is Timothy J. Cox as Bob who shines brightest here. Cox’s performance is so bloody good that at first you think his Bob is this warm, sweet teddy bear of a man, only to be completely shockesd and unnerved by his turn into a cold, methodical and ego driven killer. It’s a marvelous performance in a thrilling short film. (Roberta Wilson, The Entertainment Scribe)
Simple Mind has it's share of twists and turns and much, much more, including an outstanding lead performance from Timothy J. Cox as a man with a lot going on in his mind and it's anything but simple. At the center of it all is Cox's stellar performance as Bob. His Bob is charming and sweet one minute, but Cox can (and does) switch to cold and chilling the next. In only a 7 minute film, this talented actor manages to present a character that's fully fleshed and unique. As odd as it may sound, I wanted more of Bob. What does that say about me? (Kent Stockton, Movie Vine)
In the short, Bob is expertly presented by indie actor Timothy J. Cox. Cox, a veteran of several films, is known primarily as a supporting actor, but here he takes the lead and gives it his all, presenting a character of great complexity, shifting from calm, almost sweet-natured to cold, callous, yes indifferent, but also quite methodical. It's quite the achievement that this actor was able to present such a diverse character in such a short amount of time. (Jude Cole, Movie Quotes and More.com)
...the star of the short, Timothy J. Cox is probably someone you’ll see a lot on the coming years, because the entire film hinges on his performance, and he knocks it out of the park. Timothy J. Cox proves he can do a lot with a character in a very short amount of time. He shows a wide range in accomplishing one goal, getting the character to the end of the film. (Sean Canfield, The Daily Rotation)
What impressed me the most, other than the plot, was the performance from Cox. Having seen him in completely comedic roles, it was a very nice 180 to see him playing such a dark, disturbed, and disturbing character. (D. Ryan Mowry, Ryan's Reviews)
Cox delivers an effective performance, creepily recounting the story with a tint of romance before changing to the cold, clinical tone of a professional who performs his job with complete confidence and efficiency. (Jared Mobarak, Jared Mobarak.com)
At the heart of Simple Mind is the wonderful performance by Timothy J. Cox, who continues his streak of impressive performances. This time he’s crafted a charming and sweet guy upon first glance, but beneath that charming smile of his lies a subtle malevolence and creepiness that, rightly so, takes you by surprise. Bob and the equally creepy Orange Green, another role that Cox played so wonderfully, in last year’s acclaimed short Terry Kendall and Orange Green would make an interesting pair. It’s a frighteningly good performance in a delightfully complex and twisted short film. (Peter Sanderson, Cinemaroll)
The film is worth a watch primarily for the benefit of watching the continued development of actor Timothy J. Cox. Cox's performance as Bob is filled with pieces of vulnerability, conceit, delusion and more than a little uncomfortable menace. It's hard not to be impressed with his willingness to try virtually every genre of film. (Richard Propes, The Independent Critic)
And while the film’s unhinged and disturbing vibe is positively enhanced by the creative cinematography, it’s the combination of these visual choices and the performance of Timothy J. Cox as Bob that cements it as uncomfortably creepy. It feels like we’re stuck in Bob’s not-so-private-anymore Hell, which is a really messed-up place to be, especially with him narrating our trip. (Mark Bell, Film Threat)
Cox did a fantastic job with his role as the sadistic Bob who I'm still not sure knows quite where he's at in life. (Twisted Central)
Actor Timothy J. Cox should particularly be commended, as he manages to create a wonderfully demented character in a third of the screen time as the credit reel for Marvel’s the Avengers. Mr. Cox depicts the various sides to his character flawlessly, evoking deviousness and cruelty which gives way to pity and profound sadness. There were moments in the film where his character reminded me of Robin William’s desperate store clerk in One Hour Photo, where you could detect traces of humanity, twisted by the madness of being alone. (Oberst Von Berauscht, MovieBoozers.com)
Simple Mind soars because of the dynamic performance of Timothy J. Cox, as Bob. It’s the subtlely where Cox nails the character, as Bob looks harmless at first glance, even sweet natured, but make no mistake, this guy is all evil. (Michael Dietz, Dead4Movie.com)
It is Timothy J. Cox as Bob who shines brightest here. Cox’s performance is so bloody good that at first you think his Bob is this warm, sweet teddy bear of a man, only to be completely shockesd and unnerved by his turn into a cold, methodical and ego driven killer. It’s a marvelous performance in a thrilling short film. (Roberta Wilson, The Entertainment Scribe)
Simple Mind has it's share of twists and turns and much, much more, including an outstanding lead performance from Timothy J. Cox as a man with a lot going on in his mind and it's anything but simple. At the center of it all is Cox's stellar performance as Bob. His Bob is charming and sweet one minute, but Cox can (and does) switch to cold and chilling the next. In only a 7 minute film, this talented actor manages to present a character that's fully fleshed and unique. As odd as it may sound, I wanted more of Bob. What does that say about me? (Kent Stockton, Movie Vine)
In the short, Bob is expertly presented by indie actor Timothy J. Cox. Cox, a veteran of several films, is known primarily as a supporting actor, but here he takes the lead and gives it his all, presenting a character of great complexity, shifting from calm, almost sweet-natured to cold, callous, yes indifferent, but also quite methodical. It's quite the achievement that this actor was able to present such a diverse character in such a short amount of time. (Jude Cole, Movie Quotes and More.com)
...the star of the short, Timothy J. Cox is probably someone you’ll see a lot on the coming years, because the entire film hinges on his performance, and he knocks it out of the park. Timothy J. Cox proves he can do a lot with a character in a very short amount of time. He shows a wide range in accomplishing one goal, getting the character to the end of the film. (Sean Canfield, The Daily Rotation)
What impressed me the most, other than the plot, was the performance from Cox. Having seen him in completely comedic roles, it was a very nice 180 to see him playing such a dark, disturbed, and disturbing character. (D. Ryan Mowry, Ryan's Reviews)
Cox delivers an effective performance, creepily recounting the story with a tint of romance before changing to the cold, clinical tone of a professional who performs his job with complete confidence and efficiency. (Jared Mobarak, Jared Mobarak.com)
At the heart of Simple Mind is the wonderful performance by Timothy J. Cox, who continues his streak of impressive performances. This time he’s crafted a charming and sweet guy upon first glance, but beneath that charming smile of his lies a subtle malevolence and creepiness that, rightly so, takes you by surprise. Bob and the equally creepy Orange Green, another role that Cox played so wonderfully, in last year’s acclaimed short Terry Kendall and Orange Green would make an interesting pair. It’s a frighteningly good performance in a delightfully complex and twisted short film. (Peter Sanderson, Cinemaroll)
The film is worth a watch primarily for the benefit of watching the continued development of actor Timothy J. Cox. Cox's performance as Bob is filled with pieces of vulnerability, conceit, delusion and more than a little uncomfortable menace. It's hard not to be impressed with his willingness to try virtually every genre of film. (Richard Propes, The Independent Critic)
And while the film’s unhinged and disturbing vibe is positively enhanced by the creative cinematography, it’s the combination of these visual choices and the performance of Timothy J. Cox as Bob that cements it as uncomfortably creepy. It feels like we’re stuck in Bob’s not-so-private-anymore Hell, which is a really messed-up place to be, especially with him narrating our trip. (Mark Bell, Film Threat)
THE MISOGYNIST (2012)
Timothy J. Cox pops up in a few scenes and lends nice support as the photographer's agent, whose concern for his client grows when he sees exactly how far he's willing to go to achieve perfection in his art. (Michael James Lowry, YourMovieReviews.com)
Cox does a great job as the comedic foil in the film. His portrayal of the agent Frost draws the only smiles; Cox does really well as the smart-ass or the funny-guy, as he has shown in other films I have reviewed. (D. Ryan Mowry, Ryan's Reviews)
Timothy J. Cox brought a nice, cynical touch to his very brief role as the agent Frost. (Robert Carey Wilson, Movie Vine)
Performances are solid all-around with Pascal Yen-Pfister doing his best Jean Sorel impression and Timothy J. Cox channeling his principal character from Matt Porter's "Gunderson's." (Matthew Saliba, Rogue Cinema)
In addition to (Pascal) Yen-Pfister's solid performance, Rhea Sandstrom does a nice job as his wife along with Timothy J. Cox as his agent. (Richard Propes, The Independent Critic)
Cox does a great job as the comedic foil in the film. His portrayal of the agent Frost draws the only smiles; Cox does really well as the smart-ass or the funny-guy, as he has shown in other films I have reviewed. (D. Ryan Mowry, Ryan's Reviews)
Timothy J. Cox brought a nice, cynical touch to his very brief role as the agent Frost. (Robert Carey Wilson, Movie Vine)
Performances are solid all-around with Pascal Yen-Pfister doing his best Jean Sorel impression and Timothy J. Cox channeling his principal character from Matt Porter's "Gunderson's." (Matthew Saliba, Rogue Cinema)
In addition to (Pascal) Yen-Pfister's solid performance, Rhea Sandstrom does a nice job as his wife along with Timothy J. Cox as his agent. (Richard Propes, The Independent Critic)
TERRY KENDALL AND ORANGE GREEN (2011)
Timothy J. Cox, proving himself to be the Johnny Depp of indie cinema in his ability to play almost every conceivable role a scriptwriter can come up with, gives another tremendous performance imbuing his character with a genuine sense of creepiness. (Matthew Saliba, Rogue Cinema)
This works wonderfully as when the surprises do happen, you as the audience are and should be taken by surprise as well. The casting of Timothy J. Cox as the stalker sells this point, as Cox, who is not an intimidating looking man, but a kindly looking, average sized man, so rather than frighten with size, Cox’s stalker instead manages to menace actress Brit-Charde' Sellers, quite good as Terry, with charm and perhaps most frightening of all, silence. While stalking Terry at the supermarket, Cox just stares at Terry, sometimes smiling, sometimes not, often asking the same question over and over again ‘’Can you tell me where the chicken breast is?’’, slowly driving Terry insane. It’s a great performance and Cox is to be commended for finding more to do with the stalker role than just go the ‘’crazy, insane’’ route. (Kent Stockston, Movie Vine)
Character actor Timothy J. Cox goes against his usual type by playing the mysterious stranger, Orange Green. Until the film's closing moments, one is never quite clear whether this deceptively charming and clean cut man is actually dangerous, completely harmless or possibly just a socially awkward chap with some sort of special needs. While this isn't the type of role that Cox usually goes for, he stretches himself with tremendous success here and it'd be nice to see him explore this direction again. (Richard Propes, The Independent Critic)
Skaff also scores big time in the smart casting of veteran character actor Timothy J. Cox, who wonderfully plays against type, bringing a subtle creepiness (channeling his inner-Norman Bates) to his performance as the
stalker named Orange Green. Cox doesn’t say much dialogue in the film, but watch his eyes and they say volumes. If Skaff had gone with some hulking Sid Haig-type, yes you’d be intimidated and scared as hell, but the film would have an overall different tone. Cox’s stalker isn’t intimidating or even scary, but man is he creepy, but even more surprising is that he’s even a little charming. (Peter Sanderson, Cinema Roll)
This works wonderfully as when the surprises do happen, you as the audience are and should be taken by surprise as well. The casting of Timothy J. Cox as the stalker sells this point, as Cox, who is not an intimidating looking man, but a kindly looking, average sized man, so rather than frighten with size, Cox’s stalker instead manages to menace actress Brit-Charde' Sellers, quite good as Terry, with charm and perhaps most frightening of all, silence. While stalking Terry at the supermarket, Cox just stares at Terry, sometimes smiling, sometimes not, often asking the same question over and over again ‘’Can you tell me where the chicken breast is?’’, slowly driving Terry insane. It’s a great performance and Cox is to be commended for finding more to do with the stalker role than just go the ‘’crazy, insane’’ route. (Kent Stockston, Movie Vine)
Character actor Timothy J. Cox goes against his usual type by playing the mysterious stranger, Orange Green. Until the film's closing moments, one is never quite clear whether this deceptively charming and clean cut man is actually dangerous, completely harmless or possibly just a socially awkward chap with some sort of special needs. While this isn't the type of role that Cox usually goes for, he stretches himself with tremendous success here and it'd be nice to see him explore this direction again. (Richard Propes, The Independent Critic)
Skaff also scores big time in the smart casting of veteran character actor Timothy J. Cox, who wonderfully plays against type, bringing a subtle creepiness (channeling his inner-Norman Bates) to his performance as the
stalker named Orange Green. Cox doesn’t say much dialogue in the film, but watch his eyes and they say volumes. If Skaff had gone with some hulking Sid Haig-type, yes you’d be intimidated and scared as hell, but the film would have an overall different tone. Cox’s stalker isn’t intimidating or even scary, but man is he creepy, but even more surprising is that he’s even a little charming. (Peter Sanderson, Cinema Roll)
GUNDERSON'S (2011)
...great performances from Max Azulay and Timothy J. Cox. (Parissa Janaraghi, Movie Quotes and More)
Gunderson’s is a comedy that takes an absurd premise and then plays it completely straight. The result is remarkably funny, primarily because of the strength of the performances – especially those of Max Azulay in the lead role and Timothy J. Cox as the over-friendly and utterly inconsistent school principal. (Paul Pritchard, Pulp Movies)
Azulay carries the weight of the film easily as the lead, but all of the supporting actors are also strong. I especially enjoyed Cox’s rendition of the middle-school principal that so desperately wants to be cool (but is so obviously not) is also a standout. (D. Ryan Mowry, Ryan's Reviews.com)
Cox continues his streak of impressive character turns with his hysterical performance as the downright goofy Principal Cox. (Peter Sanderson, Cinema Roll)
There's also a lot of wonderful performances in the film but the one who immediately comes to mind is Timothy J. Cox who's absolutely sensational as Principal Cox. (Matthew Saliba, Rogue Cinema)
Timothy J. Cox's hilariously larger than life turn as the school's principal...Cox manages to take relatively little screen time and make you sit there wanting more. (Richard Propes, The Independent Critic)
Gunderson’s is a comedy that takes an absurd premise and then plays it completely straight. The result is remarkably funny, primarily because of the strength of the performances – especially those of Max Azulay in the lead role and Timothy J. Cox as the over-friendly and utterly inconsistent school principal. (Paul Pritchard, Pulp Movies)
Azulay carries the weight of the film easily as the lead, but all of the supporting actors are also strong. I especially enjoyed Cox’s rendition of the middle-school principal that so desperately wants to be cool (but is so obviously not) is also a standout. (D. Ryan Mowry, Ryan's Reviews.com)
Cox continues his streak of impressive character turns with his hysterical performance as the downright goofy Principal Cox. (Peter Sanderson, Cinema Roll)
There's also a lot of wonderful performances in the film but the one who immediately comes to mind is Timothy J. Cox who's absolutely sensational as Principal Cox. (Matthew Saliba, Rogue Cinema)
Timothy J. Cox's hilariously larger than life turn as the school's principal...Cox manages to take relatively little screen time and make you sit there wanting more. (Richard Propes, The Independent Critic)
THE TEACHER'S LOUNGE (2011)
Her Boss (played with real enthusiasm by Timothy J. Cox)… a wonderfully slimy performance as the boss. (Matthew Saliba, Rogue Cinema)
Cox does well in the role of the creepy boss. (Peter Sanderson, Cinema Roll)
The boss, ably played by Timothy J. Cox (Richard Propes, The Independent Critic)
Cox does well in the role of the creepy boss. (Peter Sanderson, Cinema Roll)
The boss, ably played by Timothy J. Cox (Richard Propes, The Independent Critic)
JACK JIMMINY: THE STORY OF A PORNSTAR EXTRA (2010)
Cox is amazing in this one, and this is one of my favorite characters I’ve seen him play. As the elder Jimminy, Cox plays with such aplomb and grace. He is hilarious, and I love how much his character loves to be a pornstar, and how proud he is of his pornstar family. It’s actually almost touching, in a sort of sticky and greasy kinda way. (D. Ryan Mowry, Ryan's Reviews.com)
Jack’s parents, played with egregious enthusiasm by Timothy J. Cox and Ethel Fisher are loud, larger than life and everything you’d expect from a pair of retired porn stars. (Paul Pritchard, PulpMovies.com)
Scenes that pop with any energy and enthusiasm are the ones involving Cox and Fisher as the off the wall parents. Both actors bring considerable energy to their performances, especially Cox. (Peter Sanderson, Cinema Roll)
The film gets a boost from the animated performances of Maurice Johnson, as a rabid sexaholic that Jack meets in therapy; Timothy J. Cox as Jack's the larger than life father Richard and from Ethel Fisher, who made me blush a little with her risque and fearless turn as Jack's lovable mother, Moonflower. (William Lattimer, ArticlesBase.com)
Jack’s parents, played with egregious enthusiasm by Timothy J. Cox and Ethel Fisher are loud, larger than life and everything you’d expect from a pair of retired porn stars. (Paul Pritchard, PulpMovies.com)
Scenes that pop with any energy and enthusiasm are the ones involving Cox and Fisher as the off the wall parents. Both actors bring considerable energy to their performances, especially Cox. (Peter Sanderson, Cinema Roll)
The film gets a boost from the animated performances of Maurice Johnson, as a rabid sexaholic that Jack meets in therapy; Timothy J. Cox as Jack's the larger than life father Richard and from Ethel Fisher, who made me blush a little with her risque and fearless turn as Jack's lovable mother, Moonflower. (William Lattimer, ArticlesBase.com)
THE WATCHERS (2010)
The film does soar because of it's engaging story and an impressive supporting cast, especially Boddington, creepy, but alluring in her turn as one of the watchers and supporting actor extraordinaire Cox, who scored big as Moffitt's mysterious shrink. (Michael James Lowry, YourMovieReviews.com)
Cox is also strong as Orwell, as he projects caring and warmth into his character, the one shoulder John has to rest his troubles. (D. Ryan Mowry, Ryan's Reviews.com)
...a fabulous turn from character actor Timothy J. Cox...The veteran Cox is exceptional in his brief scene as Dr. Orwell, displaying a certain menace as the doctor, making us wonder if he himself is a "watcher". (Steven McKinley, Movie Rentals Online)
Timothy J. Cox, Kathleen Boddington and Peter Francis Span are solid supporting players, complementing Porter's paranoia with a quiet intensity that constantly keeps you guessing just how The Watchers is going to wind down. (Richard Propes, The Independent Critic)
As for the performances, Moffitt leads the way, impressing as John Porter, saying volumes with a look. He receives great support from Timothy J. Cox, who managed to inject a bit of mystery to his performance as Dr. Orwell, making me wonder if he himself was a "watcher". (Michael Dietz, ReviewCentre)
Solid support from Cox, Peter Francis Span and Kathleen Boddington, who all shine in key roles. (Tammie Bailey, RedGage.com)
Great performances, especially from Moffitt as the pursued John Porter and from Timothy J. Cox, who is sharp in a nice supporting turn as Porter's dubious shrink. (William Lattimer, ArticlesBase.com)
From the supporting cast, veteran scene stealer Timothy J. Cox shines as the disbelieving Dr. Orwell. (Hannah Marie Ellison,Blog Critics)
Timothy J. Cox is stand out in a few brief scenes as John’s skeptical shrink, Dr. Orwell. (Elizabeth Sellars, Movie Vine)
Peter Francis Span and Timothy J. Cox are also noteworthy in two key supporting roles: Span as a mysterious stranger in Porter’s life and Cox as Porter’s skeptical shrink who may or may not be a“watcher” himself. (Peter Sanderson, Cinema Roll)
The rest of the cast also do a great job. Timothy J. Cox plays Dr. Orwell (Hmmm; do you think that’s a clue?); Peter Francis Span plays the “Mysterious Man”; and Kathleen Boddington plays one of the watchers. They all do great in their respective roles and all play pivotal roles in Porter’s life. Good stuff. (Scott Shoyer, AnythingHorror.com)
Cox is also strong as Orwell, as he projects caring and warmth into his character, the one shoulder John has to rest his troubles. (D. Ryan Mowry, Ryan's Reviews.com)
...a fabulous turn from character actor Timothy J. Cox...The veteran Cox is exceptional in his brief scene as Dr. Orwell, displaying a certain menace as the doctor, making us wonder if he himself is a "watcher". (Steven McKinley, Movie Rentals Online)
Timothy J. Cox, Kathleen Boddington and Peter Francis Span are solid supporting players, complementing Porter's paranoia with a quiet intensity that constantly keeps you guessing just how The Watchers is going to wind down. (Richard Propes, The Independent Critic)
As for the performances, Moffitt leads the way, impressing as John Porter, saying volumes with a look. He receives great support from Timothy J. Cox, who managed to inject a bit of mystery to his performance as Dr. Orwell, making me wonder if he himself was a "watcher". (Michael Dietz, ReviewCentre)
Solid support from Cox, Peter Francis Span and Kathleen Boddington, who all shine in key roles. (Tammie Bailey, RedGage.com)
Great performances, especially from Moffitt as the pursued John Porter and from Timothy J. Cox, who is sharp in a nice supporting turn as Porter's dubious shrink. (William Lattimer, ArticlesBase.com)
From the supporting cast, veteran scene stealer Timothy J. Cox shines as the disbelieving Dr. Orwell. (Hannah Marie Ellison,Blog Critics)
Timothy J. Cox is stand out in a few brief scenes as John’s skeptical shrink, Dr. Orwell. (Elizabeth Sellars, Movie Vine)
Peter Francis Span and Timothy J. Cox are also noteworthy in two key supporting roles: Span as a mysterious stranger in Porter’s life and Cox as Porter’s skeptical shrink who may or may not be a“watcher” himself. (Peter Sanderson, Cinema Roll)
The rest of the cast also do a great job. Timothy J. Cox plays Dr. Orwell (Hmmm; do you think that’s a clue?); Peter Francis Span plays the “Mysterious Man”; and Kathleen Boddington plays one of the watchers. They all do great in their respective roles and all play pivotal roles in Porter’s life. Good stuff. (Scott Shoyer, AnythingHorror.com)
SOCKS AND CAKES (2011)
Then we get a large portion of the film being told from Harry's perspective as he gives a witty monologue directly to the camera about his life, with Cox delivering a spot on performance as the droll cynical intellectual...manages to bring warmth and charm to his antagonistic character. (Parissa Janaraghi, Movie Quotes And More)
And while the film is an ensemble piece, it is based around the Timothy J. Cox's character, Harry. The acting is terrific all around but Cox does a particularly nice job of playing the slightly jealous, slightly lazy, and totally antagonistic Harry. (Cary Conley, Rogue Cinema)
A spot on Timothy J. Cox. (Stephen McKinley, MovieFilmReview.com)
Timothy J. Cox, in particular, excels as the rather snooty yet sincere professor who still longs for his wife. (Richard Propes, The Independent Critic)
The entire ensemble impresses: As Harry, Timothy J. Cox creates a funny and sad portrait of a man who still loves his wife, but can't let go. (Alex Deckard, EZine.com)
Take downtrodden literature professor Harry (Timothy J. Cox, in a wonderful performance), one of the guests at his best friend Richard's (Jeff Moffitt) home for a dinner party. To tell his story, Padovan has assembled a marvelous cast with Cox and Meares leading the way with stellar potraits of lives misspent and loves unrequited. (William Lattimer, ArticlesBase.com)
The characters are consistently well drawn and superbly brought to life by a very strong cast. This is especially true of Timothy J. Cox and Kirsty Meares. Of all the characters in the film, Harry and Amanda have probably the most complex relationship and Cox and Meares do a sterling job of bringing to life all of the unsaid tensions between these characters. (Paul
Pritchard, PulpMovies.com)
Writer / director Padovan's film stars an immensely talented actor named Timothy J. Cox (his delivery and demeanor reminiscent of a young Richard Dreyfuss)...manages to bring considerable warmth and charm to the role of the hapless schnook Harry. (Lee Derringer, ArticlesBase.com)
Timothy J. Cox, in a wonderfully delightful performance. (Matt Barry,Rogue Cinema)
Pleasing performances of the entire five person ensemble....Cox and Meares lead the way with two strong lead performances as Harry and Amanda, respectively. It’s very easy to make a role like Harry a bit of a downer, but Cox, even at his most droll, manages to imbue Harry with a certain sweetness, humanity and likability. In the end of the film, you see why Amanda was with him. (Peter Sanderson,Cinema Roll)
Padovan's script gives nice moments to Cox and Meares, who are both very good in their performances. (Michael Dietz, Your Movie Reviews)
Cox’s nice turn as Harry, the teddy bear buried beneath a façade of sarcasm. (Peter Clerkin,Your Movie Reviews)
Cox’s somber performance…nice work. (Elizabeth Sellars,Movie Vine)
Of the cast, Cox and Meares are stand outs.(Jamie Kenton,Short Films Round Up)
Cox and Meares do good work individually and play off each other nicely in a great scene at the end of the film. (Phillip Bapst,Clock Work Movies)
Timothy J. Cox is equally impressive as Meares' ex-husband, a borderline alcoholic French literature professor who deep down still carries a torch for his ex-wife, but also loves the life of solitude. (Joseph Arthur Clay,Blog Critics)
Adding to the film's success is the stellar and likable cast that Padovan has assembled, led by Timothy J. Cox's engaging turn as Harry. Cox is astounding in showing us glimpses into the hurt, confused soul of the man underneath a rather self-absorbed exterior. (Hannah Marie Ellison, Blog Critics)
And while the film is an ensemble piece, it is based around the Timothy J. Cox's character, Harry. The acting is terrific all around but Cox does a particularly nice job of playing the slightly jealous, slightly lazy, and totally antagonistic Harry. (Cary Conley, Rogue Cinema)
A spot on Timothy J. Cox. (Stephen McKinley, MovieFilmReview.com)
Timothy J. Cox, in particular, excels as the rather snooty yet sincere professor who still longs for his wife. (Richard Propes, The Independent Critic)
The entire ensemble impresses: As Harry, Timothy J. Cox creates a funny and sad portrait of a man who still loves his wife, but can't let go. (Alex Deckard, EZine.com)
Take downtrodden literature professor Harry (Timothy J. Cox, in a wonderful performance), one of the guests at his best friend Richard's (Jeff Moffitt) home for a dinner party. To tell his story, Padovan has assembled a marvelous cast with Cox and Meares leading the way with stellar potraits of lives misspent and loves unrequited. (William Lattimer, ArticlesBase.com)
The characters are consistently well drawn and superbly brought to life by a very strong cast. This is especially true of Timothy J. Cox and Kirsty Meares. Of all the characters in the film, Harry and Amanda have probably the most complex relationship and Cox and Meares do a sterling job of bringing to life all of the unsaid tensions between these characters. (Paul
Pritchard, PulpMovies.com)
Writer / director Padovan's film stars an immensely talented actor named Timothy J. Cox (his delivery and demeanor reminiscent of a young Richard Dreyfuss)...manages to bring considerable warmth and charm to the role of the hapless schnook Harry. (Lee Derringer, ArticlesBase.com)
Timothy J. Cox, in a wonderfully delightful performance. (Matt Barry,Rogue Cinema)
Pleasing performances of the entire five person ensemble....Cox and Meares lead the way with two strong lead performances as Harry and Amanda, respectively. It’s very easy to make a role like Harry a bit of a downer, but Cox, even at his most droll, manages to imbue Harry with a certain sweetness, humanity and likability. In the end of the film, you see why Amanda was with him. (Peter Sanderson,Cinema Roll)
Padovan's script gives nice moments to Cox and Meares, who are both very good in their performances. (Michael Dietz, Your Movie Reviews)
Cox’s nice turn as Harry, the teddy bear buried beneath a façade of sarcasm. (Peter Clerkin,Your Movie Reviews)
Cox’s somber performance…nice work. (Elizabeth Sellars,Movie Vine)
Of the cast, Cox and Meares are stand outs.(Jamie Kenton,Short Films Round Up)
Cox and Meares do good work individually and play off each other nicely in a great scene at the end of the film. (Phillip Bapst,Clock Work Movies)
Timothy J. Cox is equally impressive as Meares' ex-husband, a borderline alcoholic French literature professor who deep down still carries a torch for his ex-wife, but also loves the life of solitude. (Joseph Arthur Clay,Blog Critics)
Adding to the film's success is the stellar and likable cast that Padovan has assembled, led by Timothy J. Cox's engaging turn as Harry. Cox is astounding in showing us glimpses into the hurt, confused soul of the man underneath a rather self-absorbed exterior. (Hannah Marie Ellison, Blog Critics)
OVER COFFEE (2010)
The tyrannical boss from hell, Rice, played with great gusto by Cox. (Parissa Janaraghi , Movie Quotes And More)
Over Coffee is a gently funny, 15-minute comedic short that truly is sweet, just like Andrew. Writer/director Sean Meehan has created a terrific little film here that showcases some very good acting. Rounding out the cast is Timothy J. Cox as the brash boss. He's a bit of a handful, both condescending and rude to the employees. But he gets his comeuppance during his first few sips of that precious coffee thanks to a phone call from his mother. (Cary Conley, Rogue Cinema)
All of the actors are strong...I loved the juxtaposition of Cox’s very controlling Mr. Rice, who is in turn controlled by his mother. (D. Ryan Mowry, Ryan's Reviews)
Timothy J. Cox steals the last few minutes of the film in a side splitting turn as boss Rice. (Stephen McKinley, MovieFilmReview.com)
Meehan's comedy scores from start to finish because of its fast pace and appealing performances from leads Potempa and DeBoer, as well as from Cox, hysterical as the bombastic boss. (Peter Clerkin,Your Movie Reviews)
A fantastic Timothy J. Cox. (Peter Sanderson, Cinema Roll)
Cox adds a jolt of energy in his hysterical turn as the boss of bosses, Hamilton Rice. (Michael Dietz, Cinema-Crazed.com)
Cox, who anchors the production, having what seems to be a grand old time playing the Napoleonic-like Hamilton Rice. (Alex Deckard, EZine.com)
Also stand out from the cast, in a very funny performance near the end of the film, is Timothy J. Cox as boss from hell Hamilton Rice. (Elizabeth Sellars, Movie Vine)
Timothy J. Cox is a hoot as the boss with which virtually anyone who has ever worked in an office will identify. (Richard Propes,The Independent Critic)
In a brief appearance near the end of the film, Timothy J. Cox gloriously chews the scenery, having a grand old time as blowhard Hamilton Rice, a man who takes enjoyment in tossing out orders and insults (not always in that order) to anyone in his way. (Hannah Marie Ellison,Blog Critics)
There is also a great comic performance from the always reliable Cox, who looks like he's having a ball as the boss from hell, Hamilton Rice. (Joseph Arthur Clay, Blog Critics)
Cox also does nice work in a very funny performance as the obnoxious boss, Hamilton Rice. (Phillip Bapst, Clock Work Movies)
Over Coffee is a gently funny, 15-minute comedic short that truly is sweet, just like Andrew. Writer/director Sean Meehan has created a terrific little film here that showcases some very good acting. Rounding out the cast is Timothy J. Cox as the brash boss. He's a bit of a handful, both condescending and rude to the employees. But he gets his comeuppance during his first few sips of that precious coffee thanks to a phone call from his mother. (Cary Conley, Rogue Cinema)
All of the actors are strong...I loved the juxtaposition of Cox’s very controlling Mr. Rice, who is in turn controlled by his mother. (D. Ryan Mowry, Ryan's Reviews)
Timothy J. Cox steals the last few minutes of the film in a side splitting turn as boss Rice. (Stephen McKinley, MovieFilmReview.com)
Meehan's comedy scores from start to finish because of its fast pace and appealing performances from leads Potempa and DeBoer, as well as from Cox, hysterical as the bombastic boss. (Peter Clerkin,Your Movie Reviews)
A fantastic Timothy J. Cox. (Peter Sanderson, Cinema Roll)
Cox adds a jolt of energy in his hysterical turn as the boss of bosses, Hamilton Rice. (Michael Dietz, Cinema-Crazed.com)
Cox, who anchors the production, having what seems to be a grand old time playing the Napoleonic-like Hamilton Rice. (Alex Deckard, EZine.com)
Also stand out from the cast, in a very funny performance near the end of the film, is Timothy J. Cox as boss from hell Hamilton Rice. (Elizabeth Sellars, Movie Vine)
Timothy J. Cox is a hoot as the boss with which virtually anyone who has ever worked in an office will identify. (Richard Propes,The Independent Critic)
In a brief appearance near the end of the film, Timothy J. Cox gloriously chews the scenery, having a grand old time as blowhard Hamilton Rice, a man who takes enjoyment in tossing out orders and insults (not always in that order) to anyone in his way. (Hannah Marie Ellison,Blog Critics)
There is also a great comic performance from the always reliable Cox, who looks like he's having a ball as the boss from hell, Hamilton Rice. (Joseph Arthur Clay, Blog Critics)
Cox also does nice work in a very funny performance as the obnoxious boss, Hamilton Rice. (Phillip Bapst, Clock Work Movies)
OVERCROWDED (2009)
...as both the doctor and especially the boss, he (Cox) steals the show and displays some of the best chops in the production. (D. Ryan Mowry, Ryan's Reviews)
…nice support from Cox in his brief scenes as the pompous Mr. Smith. (Hannah Marie Ellison, Blog Critics
YEAH, LOVE (2008)
Yeah, Love benefits from a talented ensemble cast…Timothy J. Cox plays against his usual type as a doting yet mostly awkward father. (Richard Propes, The Independent Critic)
THEATRE REVIEWS
IVANOV (2012)
...a thoughtful and incisive supporting dramatic performance by Timothy J. Cox, who excelled as an endearing Pasha Lebedyev. Mr. Cox’s performance was so assured and effortless; getting every scene, every relationship, just right. (Pamela Huxtable, The Entertainment Scribe)
Another actor who hit a bull’s-eye was Timothy J. Cox, who gave a touching performance as a wonderfully realized Pasha Lebedyev, who I now think may be the most humane and graceful character in Chekhov’s canon. At first, Cox’s Lebedyev is nothing more than a silly clown, like a background performer inching his way to a close up, giggling at stories and remembrances that likely aren’t his own, but as the play progresses, we see Cox shift from silly clown to sad clown and as the play then draws to its close, there’s a quiet, subtle realization that his Lebedyev is nothing more than an empty shell of a man with nothing left, but who accepts the fate of who he is and why he is where he is in life. This realization was presented with such humanity and grace by Cox that it was quite heartbreaking at times. (Eric Grogan, Quazen)
Another actor who hit a bull’s-eye was Timothy J. Cox, who gave a touching performance as a wonderfully realized Pasha Lebedyev, who I now think may be the most humane and graceful character in Chekhov’s canon. At first, Cox’s Lebedyev is nothing more than a silly clown, like a background performer inching his way to a close up, giggling at stories and remembrances that likely aren’t his own, but as the play progresses, we see Cox shift from silly clown to sad clown and as the play then draws to its close, there’s a quiet, subtle realization that his Lebedyev is nothing more than an empty shell of a man with nothing left, but who accepts the fate of who he is and why he is where he is in life. This realization was presented with such humanity and grace by Cox that it was quite heartbreaking at times. (Eric Grogan, Quazen)
THE 39 STEPS (2012)
The clowns, Cox and Harris, steps up to the plate and hit homers playing the more than 100 remaining roles...Cox is a total madman, commanding the stage each time he enters. His instantaneous costume, character and accent changes are intoxicating. (J.A. Babay, Loch Haven Express)
But much of the show's success belongs to Matt Harris and Tim Cox as the two ''clowns'' who change hats and attire, rapidly switching characters dozens of times. Together, the clowns had a helluva good time and so did Millbrook's audience. (Jack Felix, Williamsport Sun-Gazette)
Tim Cox and Matt Harris played every other role. They each had so much energy and talent that the show raced to its logical conclusion before I knew it. Keeping the different parts with different voices and accents took amazing skill. It really had to be seen to be believed. (Pat's Opinionated View)
But much of the show's success belongs to Matt Harris and Tim Cox as the two ''clowns'' who change hats and attire, rapidly switching characters dozens of times. Together, the clowns had a helluva good time and so did Millbrook's audience. (Jack Felix, Williamsport Sun-Gazette)
Tim Cox and Matt Harris played every other role. They each had so much energy and talent that the show raced to its logical conclusion before I knew it. Keeping the different parts with different voices and accents took amazing skill. It really had to be seen to be believed. (Pat's Opinionated View)
THE ASPHALT CHRISTMAS (2011)
Razor sharp in three supporting roles is the solid Timothy J. Cox, who soars in the play’s prologue in a great turn as death row inmate Moose Kowalski, a tough guy in the Cagney mold; in a brief turn as a crotchety burlesque house manager and finally, magnificent as Eddie Knight, a Robert Stack-esque cop, with a habit of quoting movies again and again and again. (Nicky Howard, Authspot.com)
My hands down favorite though was the fantastic Timothy J. Cox, who hit the bulls-eye with three great character turns, changing skillfully from the tough as nails death row inmate Moose Kowalski; to the cantankerous burlesque stage manager Ziggy and finally to his wonderful turn as the movie quoting cop Eddie Knight. In all three of his characterizations, Mr. Cox had the style and delivery of classic Hollywood down pat. (Pamela Huxtable, Quazen.com)
Timothy J. Cox, particularly spot-on as Eddie Knight, Dixie's fiance, a vaudevillian-turned-cop. (Martin Denton, nytheatre.com)
Timothy J. Cox displays versatility in his triple roles. (Ron S. Covar, Best Of Off-Broadway.com)
Solid performances come from Mr. Michael, Mr. Cox and Chris Kateff as Dixie, Eddie Knight and Fr. O’Day, respectively, each driving all of their scenes with enthusiasm and energy. Mr. Cox also scores in two brief supporting turns as an embittered convict about to face the electric chair and as a harried stage manager at the burlesque house where Dixie works. (Emily Cole, Quazen.com)
My hands down favorite though was the fantastic Timothy J. Cox, who hit the bulls-eye with three great character turns, changing skillfully from the tough as nails death row inmate Moose Kowalski; to the cantankerous burlesque stage manager Ziggy and finally to his wonderful turn as the movie quoting cop Eddie Knight. In all three of his characterizations, Mr. Cox had the style and delivery of classic Hollywood down pat. (Pamela Huxtable, Quazen.com)
Timothy J. Cox, particularly spot-on as Eddie Knight, Dixie's fiance, a vaudevillian-turned-cop. (Martin Denton, nytheatre.com)
Timothy J. Cox displays versatility in his triple roles. (Ron S. Covar, Best Of Off-Broadway.com)
Solid performances come from Mr. Michael, Mr. Cox and Chris Kateff as Dixie, Eddie Knight and Fr. O’Day, respectively, each driving all of their scenes with enthusiasm and energy. Mr. Cox also scores in two brief supporting turns as an embittered convict about to face the electric chair and as a harried stage manager at the burlesque house where Dixie works. (Emily Cole, Quazen.com)
BEYOND A REASONABLE DOUBT (2011)
Bara Swain's quirky, but endearing Beyond A Reasonable Doubt...it was a charming piece, thanks largely to the adorable pair of (Lisa) Peart and (Timothy J.) Cox, who elevated the material with their winning and energetic performances. (Peter Sanderson, Bookstove.com)
AVENUE OF THE AMERICAS (2011)
Timothy J. Cox breathes fire into the success-obsessed ad man who find himself no longer in full control. (Scallywag & Vagabond)
Actor Timothy J. Cox shined bright in the role, showing us at first a big man, all swagger and bravado, but when Katie is about to reveal certain truths about him, Cox’s shift to a desperate, pleading and ultimately, small man was actually quite moving. (Community Radar)
On the acting side, Carter has assembled a game cast, led by Yost, exceptional as Katie, bringing a warmth and compassion to her role that made the character instantly likable. She is well matched by Timothy J. Cox, flawless as a man driven by success, who is then driven to desperation to cover up his past. (SocyBerty.com)
Actor Timothy J. Cox shined bright in the role, showing us at first a big man, all swagger and bravado, but when Katie is about to reveal certain truths about him, Cox’s shift to a desperate, pleading and ultimately, small man was actually quite moving. (Community Radar)
On the acting side, Carter has assembled a game cast, led by Yost, exceptional as Katie, bringing a warmth and compassion to her role that made the character instantly likable. She is well matched by Timothy J. Cox, flawless as a man driven by success, who is then driven to desperation to cover up his past. (SocyBerty.com)
RUN FOR YOUR WIFE (2010)
As the lead character, Cox is everything you could ask for. He exudes a strong personality and presence on the stage that you can tell the audience really appreciates. He’s also incredibly funny.(Ben Kleppinger, Danville Advocate Messenger)
A MIDSUMMER NIGHT'S DREAM (2009)
Timothy J. Cox, outstanding as the teddy bear-like Peter Quince. (Michael Dietz Film and Theatre Reviews)
The company of Players, led by Timothy J. Cox as a wonderfully realized Peter Quince, are a lively group of clowns that had me laughing all the way to the very end. (Joseph Arthur Clay, Blog Critics)
Next up are the mechanicals, a ragged bunch of actor-wannabes, provide a far less romantic brand of comedy than the lovers. Lead by Timothy J. Cox as Peter Quince, whose power is often usurped by the dramatic Nick Bottom, played by Chris Kateff , this is about the sorriest band of crude actors with the biggest hearts anyone could ask for. The performance of Pyramus and Thisbe in the last scene of the play--always a highlight of any production--is spot on campy, ridiculous and completely honest. (David Rigano Theatre Reviews)
Then there are the mechanicals. As led by Chris Kateff ’s gloriously ridiculous Bottom, they are anything but common folk. All of them – Timothy J. Cox as the hapless director Peter Quince, Andrew Ash as Flute, Charlotte Layne Dunn as Starveling, Miriam Mintz as Snout and Timothy Williams as Snug (complete with tiny bear companion) – under- and
over-play beautifully, making their appearances seem too few, and too
brief.(Hannah Marie Ellison, Blog Critics)
The company of Players, led by Timothy J. Cox as a wonderfully realized Peter Quince, are a lively group of clowns that had me laughing all the way to the very end. (Joseph Arthur Clay, Blog Critics)
Next up are the mechanicals, a ragged bunch of actor-wannabes, provide a far less romantic brand of comedy than the lovers. Lead by Timothy J. Cox as Peter Quince, whose power is often usurped by the dramatic Nick Bottom, played by Chris Kateff , this is about the sorriest band of crude actors with the biggest hearts anyone could ask for. The performance of Pyramus and Thisbe in the last scene of the play--always a highlight of any production--is spot on campy, ridiculous and completely honest. (David Rigano Theatre Reviews)
Then there are the mechanicals. As led by Chris Kateff ’s gloriously ridiculous Bottom, they are anything but common folk. All of them – Timothy J. Cox as the hapless director Peter Quince, Andrew Ash as Flute, Charlotte Layne Dunn as Starveling, Miriam Mintz as Snout and Timothy Williams as Snug (complete with tiny bear companion) – under- and
over-play beautifully, making their appearances seem too few, and too
brief.(Hannah Marie Ellison, Blog Critics)
MUCH ADO ABOUT NOTHING (2009)
One wants to despise Timothy J. Cox’s’ otherwise jolly Leonato for his willingness to believe the worst about his daughter and only child, but Cox too well conveys his bewilderment and grief as well as his contempt. He can’t help that he lives in a time when an unmarried woman’s virginity was the sum total of her worth. (Arlene McKanic, YourNabe.com)
Timothy Cox is similarly dynamic as Leonato, the cheerful, generous governor who is deceived into turning on his daughter. (Willow Belden, Queens Chronicle)
Timothy J. Cox plays Leonato as a Donald Trump-type host straight out of The Apprentice, a man used to the spotlight. Cox shows his wide range, from the happy-go-lucky Hugh Hefner-like master-of-the-house to the conflicted father, forgetting the cameras, eyes brimming with tears as the laughs turn to the horror before him. (Nick Leshi, BlogCritics.com)
The always genial and gregarious Timothy J. Cox. (Hannah Marie Ellison, BlogCritics.com)
Timothy Cox is similarly dynamic as Leonato, the cheerful, generous governor who is deceived into turning on his daughter. (Willow Belden, Queens Chronicle)
Timothy J. Cox plays Leonato as a Donald Trump-type host straight out of The Apprentice, a man used to the spotlight. Cox shows his wide range, from the happy-go-lucky Hugh Hefner-like master-of-the-house to the conflicted father, forgetting the cameras, eyes brimming with tears as the laughs turn to the horror before him. (Nick Leshi, BlogCritics.com)
The always genial and gregarious Timothy J. Cox. (Hannah Marie Ellison, BlogCritics.com)
AS YOU LIKE IT (2009)
Timothy Cox, who plays both the teddy-bear-like banished duke and his hard-nosed, usurping brother, transitions skillfully between the two roles. (Willow Belden, Queens Chronicle)
In an inspired act of casting, the roles of the usurping Duke Frederick and his vanquished brother Duke Senior are played by the versatile Timothy J. Cox. He does a splendid job of making each unique and memorable. Watching him alter his appearance from the Napoleonic rigidity of Frederick to the more relaxed and bouncy Senior is a revelation. As the tyrannical Duke Frederick, Mr. Cox embodies a stiff, stern, and severe posture, switch in hand, barking at those around him. As Duke Senior, even though he has lost his title and earthly possessions to his traitorous brother, Mr. Cox renders him with arms wide, ready to embrace not only his fellow Forest renegades, but also the world around him. Duke Senior’s loss turns out to be his blessing. (Nick Leshi, BlogCritics.com)
In an inspired act of casting, the roles of the usurping Duke Frederick and his vanquished brother Duke Senior are played by the versatile Timothy J. Cox. He does a splendid job of making each unique and memorable. Watching him alter his appearance from the Napoleonic rigidity of Frederick to the more relaxed and bouncy Senior is a revelation. As the tyrannical Duke Frederick, Mr. Cox embodies a stiff, stern, and severe posture, switch in hand, barking at those around him. As Duke Senior, even though he has lost his title and earthly possessions to his traitorous brother, Mr. Cox renders him with arms wide, ready to embrace not only his fellow Forest renegades, but also the world around him. Duke Senior’s loss turns out to be his blessing. (Nick Leshi, BlogCritics.com)
ARSENIC AND OLD LACE (2009)
The scene-stealers were Danny Mittermeyer, superb as the murderous and sadistic Jonathan Brewster, and the always top-notch Timothy J. Cox, magnificent as Dr. Einstein. Both actors exploded on to the stage at the end of Act I and set the tone and pace for the remainder of the show, playing off each other like a seasoned acting duo. (Hannah Marie Ellison, BlogCritics.com)
TWO DETECTIVES (2008)
The production did feature a gallery of strong performances from the supporting cast...Timothy J. Cox delivered an explosive turn as Jacob Lasky. (Hannah Marie Ellison, BlogCritics.com)
12TH NIGHT OF THE LIVING DEAD (2007)
As Sirs Toby and Andrew, Timothy J. Cox and Benjamin Ellis Fine are fantastic aloof fools, giggling and gamboling amidst the bloody scene. (Samantha O'Brien, OffOffOnline.com)
Director John Hurley’s cast is frighteningly game. (Jason Zinoman,The New York Times)
Each member of the ensemble cast is top notch, all looking like they're having the time of their lives, but favorites are definitely Timothy J. Cox and Benjamin Ellis Fine, driving the show with superlative comic performances as Sir Toby (he also has the play's most memorable death scene) and Sir Andrew, respectively. (Hannah Marie Ellison, BlogCritics.com)
Director John Hurley’s cast is frighteningly game. (Jason Zinoman,The New York Times)
Each member of the ensemble cast is top notch, all looking like they're having the time of their lives, but favorites are definitely Timothy J. Cox and Benjamin Ellis Fine, driving the show with superlative comic performances as Sir Toby (he also has the play's most memorable death scene) and Sir Andrew, respectively. (Hannah Marie Ellison, BlogCritics.com)
A JARFUL OF FIREFLIES (2007)
Rich performances...Eben French Mastin and Timothy J. Cox are hilarious as bickering, chess-playing old coots who treat being extras in the movie as a chance to refight the Civil War. (Rich Copley,Lexington Herald)
The ensemble attacks the material...Curmudgeonly old coots Charlie and Roy (Eben French Mastin and Timothy J. Cox) spend their days fighting over the rules of checkers and debating whether the Civil War was a war of rebellion or a war of Northern aggression. (Marty Rosen, Louisville Courier)
The ensemble attacks the material...Curmudgeonly old coots Charlie and Roy (Eben French Mastin and Timothy J. Cox) spend their days fighting over the rules of checkers and debating whether the Civil War was a war of rebellion or a war of Northern aggression. (Marty Rosen, Louisville Courier)
THE ODD COUPLE (2007)
Manolo (Aaron Rustebakke) and Jesus (Timothy J. Cox), larger than life as two suave, debonair, over-eager, manic, sex-crazed, completely goofy Spanish brothers. It's hard not to laugh at their genial, wide-smiling faces. (Ross Johnson, Danville Advocate Messenger)
THE SERVANT OF TWO MASTERS (2007)
The cast is nothing short of exceptional, and - dare I say? - the best I've seen at any Pioneer Playhouse production. Honestly, there isn't a weak link among them, and each has a unique gift to bring to the table. (Charlie Cox, Danville Advocate Messenger)
BABE: THE SHEEP PIG (2007)
Timothy J. Cox is delightfully porcine as the title character. (Ross Johnson, Danville Advocate Messenger)
THE MIRACLE WORKER (2007)
Scene stealer Timothy J. Cox, top notch in his all too brief appearance as the kind and benevolent Mr. Anagnos. (Joseph Arthur Clay, BlogCritics.com)
PICASSO AT THE LAPIN AGILE (2006)
Timothy J. Cox gives an inspired and explosive comic performance as the loony Schmendiman. (Amy Krivohlavek, OffOffOnline)
TOBY (2005)
Timothy J. Cox gives a mercurial comic performance. (Ron Cohen, Backstage)
(Phillip) Bettencourt and (Timothy J.) Cox achieve a seamless rapport. (Brad Bradley, CurtainUp)
Timothy J. Cox and Phillip Bettencourt play off each other with ease and grace. (Antoinette Nwandu, OffOffOnline)
Phillip Bettencourt, as Toby, and Timothy J. Cox, also as Toby, both give solid performances. (Leslie Bramm, nytheatre.com)
(Phillip) Bettencourt and (Timothy J.) Cox achieve a seamless rapport. (Brad Bradley, CurtainUp)
Timothy J. Cox and Phillip Bettencourt play off each other with ease and grace. (Antoinette Nwandu, OffOffOnline)
Phillip Bettencourt, as Toby, and Timothy J. Cox, also as Toby, both give solid performances. (Leslie Bramm, nytheatre.com)
MEASURE FOR MEASURE (2004)
Timothy J. Cox added delightful touches in a variety of roles, playing the neurotic Froth and the benevolent Friar Peter with relish but was especially memorable in his hilarious turn as the cigarette smoking, Colt 45 swilling prisoner Barnadine. (R.K. Braugher, TheatreScene.net)
In the second act, the comedic elements were much stronger with Timothy Cox as a boisterous prisoner who guzzled ale even as he was being dragged away to be executed for his lechery. (Charles Battersby, OOBR.com)
Timothy J. Cox gives a riotous interpretation as a drunken biker, complete with outlandish tattoos. (The Queens Courier)
In the second act, the comedic elements were much stronger with Timothy Cox as a boisterous prisoner who guzzled ale even as he was being dragged away to be executed for his lechery. (Charles Battersby, OOBR.com)
Timothy J. Cox gives a riotous interpretation as a drunken biker, complete with outlandish tattoos. (The Queens Courier)
THE CAT AND THE MOON (2003)
It was a joy watching Tim Cox's powerful performance as the wise saint on his final journey. Short and wiry, with a grizzled beard, ratty top hat and a twisted, mischievous grin, Cox's saint is a lovable old leprechaun...endearing and exuberant. (James Wenz, My8By10.com)
The scene stealing Tim Cox.(Joyce C. Bowden, Lit as Theatre.com)
As the Saint, Tim Cox intervenes with a zaniness and sympathy, yielding unexpected results. (Carlo Fiorletta, Stage Press Weekly)
Dynamic on stage -- exuberant and energetic. (Seth Bisen-Hersh, OOBR.com)
The scene stealing Tim Cox.(Joyce C. Bowden, Lit as Theatre.com)
As the Saint, Tim Cox intervenes with a zaniness and sympathy, yielding unexpected results. (Carlo Fiorletta, Stage Press Weekly)
Dynamic on stage -- exuberant and energetic. (Seth Bisen-Hersh, OOBR.com)
A SOLDIER’S DEATH (2002)
Tim plays Adam with a naiveté and sweetness that instantly endears him to an audience. (James Kass, My8by10.com)
Tim Cox was a stalwart Adam. (Joseph Hurley, Irish Echo)
Tim Cox was a stalwart Adam. (Joseph Hurley, Irish Echo)
JACK KEROUAC - LAST CALL (2002)
Tim Cox and John Kwiatkowski worked well together; their contrast and timing matched a perfect beat. (Jeff Goldstein,Stage Press Weekly)
The two journalists seem to be parts of his alter ego. One wants to capture the legend and the other desperately wants to find "Jack Kerouac" the man, adeptly played by Tim Cox and Michael Mercandetti respectively. One wants a juicy story, while the other wants more to get inside Jacks head. (Ron Sanborn, New England Entertainment Digest Review)
(Tim) Cox and (Michael) Mercandetti comically kept everything in context as the obituary writers. (Elias Stimac,OOBR.com)
The two journalists seem to be parts of his alter ego. One wants to capture the legend and the other desperately wants to find "Jack Kerouac" the man, adeptly played by Tim Cox and Michael Mercandetti respectively. One wants a juicy story, while the other wants more to get inside Jacks head. (Ron Sanborn, New England Entertainment Digest Review)
(Tim) Cox and (Michael) Mercandetti comically kept everything in context as the obituary writers. (Elias Stimac,OOBR.com)
THE PLAYBOY OF THE WESTERN WORLD (2001)
Christy Mahon was played with believable feeling by Tim Cox. (Frank Rapp, Press Focus)
THE TAMING OF THE SHREW (2000)
Timothy J. Cox provides a broad comic touch to the role of Grumio, Petruchio's servant. (Phillip F. Crossland,The Delaware News Journal)
BELMONT AVENUE SOCIAL CLUB (2000)
Gritty and lively political drama…The actors play off each other strongly and believably. Their crudeness, prejudices and hopes are so understandable, given their membership in this social group that one can only laugh wryly at the views they hold of themselves and their fellow men. (Holley R. Webster, The Swarthmorean)
Tim Cox captures his character's calculating intelligence, ambition, impatience and ease with politically correct speech. (Margie Royal, Press Focus)
Tim Cox captures his character's calculating intelligence, ambition, impatience and ease with politically correct speech. (Margie Royal, Press Focus)
